{"id":297,"date":"2026-02-17T19:07:59","date_gmt":"2026-02-17T19:07:59","guid":{"rendered":"https:\/\/artdcc.com\/?page_id=297"},"modified":"2026-07-10T11:13:54","modified_gmt":"2026-07-10T11:13:54","slug":"__trashed-11__trashed","status":"publish","type":"page","link":"https:\/\/artdcc.com\/?page_id=297&lang=fr","title":{"rendered":"Artistes repr\u00e9sent\u00e9s"},"content":{"rendered":"

[et_pb_section fb_built=\u00a0\u00bb1″ admin_label=\u00a0\u00bbsection\u00a0\u00bb _builder_version=\u00a0\u00bb4.16″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_row admin_label=\u00a0\u00bbrow\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.5″ background_size=\u00a0\u00bbinitial\u00a0\u00bb background_position=\u00a0\u00bbtop_left\u00a0\u00bb background_repeat=\u00a0\u00bbrepeat\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.27.5″ custom_padding=\u00a0\u00bb|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.5″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font_size=\u00a0\u00bb16px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n

ARTISTES REPRESENTES<\/h4>\n

 <\/p>\n

David Ciana<\/h1>\n

plasticien vit et travaille \u00e0 Monthey<\/h4>\n

Se Situer dans le Myst\u00e8re
Pour David Ciana, la pratique artistique est une boussole, une m\u00e9thode pour s’orienter dans la complexit\u00e9 du r\u00e9el. Loin d’\u00eatre une simple recherche esth\u00e9tique, sa peinture agit comme un sismographe sensible, captant les vibrations int\u00e9rieures et les flux d\u2019\u00e9nergie pour tenter de donner une forme \u00e0 l’invisible.<\/p>\n

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Gambade (2018)<\/a><\/p>\n

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Libre d’ob\u00e9ir (2018)<\/a><\/p>\n

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Espace cruciforme 1 (2014)<\/a><\/p>\n

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Espace cruciforme 2 (2014)<\/a><\/p>\n

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Un espace (2014)<\/a><\/p>\n

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Floralies 1 (2017)<\/a><\/p>\n

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Floralies 2 (2017)<\/a><\/p>\n

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Floralies 3 (2023)<\/a><\/p>\n

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Sandro Godel<\/h1>\n

artiste, peintre et graveur<\/h4>\n

Vit et travaille \u00e0 Domdidier<\/p>\n

Sandro Godel explore de nombreuses techniques artistiques et aborde des th\u00e9matiques vari\u00e9es. Ses s\u00e9jours \u00e0 l\u2019\u00e9tranger \u2013 \u00e0 Paris, Berlin, Tokyo, New York et Nairobi \u2013 l\u2019ont r\u00e9guli\u00e8rement conduit \u00e0 d\u00e9velopper de nouveaux langages artistiques.<\/span><\/p>\n

Membre de Visarte Fribourg, il expose r\u00e9guli\u00e8rement depuis 1986, tant en Suisse qu\u2019\u00e0 l\u2019international. On a r\u00e9cemment pu voir ses \u0153uvres au Mus\u00e9e d\u2019Art et d\u2019Histoire de Fribourg, ainsi qu\u2019en 2019 \u00e0 l\u2019Ambassade de Suisse \u00e0 Nairobi (Kenya) et, la m\u00eame ann\u00e9e, au Mus\u00e9e d\u2019Histoire.<\/span><\/p>\n

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Po\u00e9sie d’une ville\u00a0 BERLIN (A)<\/p>\n

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Po\u00e9sie d’une ville\u00a0 BERLIN (B)<\/p>\n

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Po\u00e9sie d’une ville\u00a0 BERLIN (C)<\/p>\n

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Po\u00e9sie d’une ville\u00a0 BERLIN (D)<\/p>\n

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Aikido<\/p>\n

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Sans Titre (A)<\/p>\n

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Sans Titre (B)<\/p>\n

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Sans Titre (C)<\/p>\n

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Sans Titre (Pigments d’Afrique)<\/p>\n

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Paysage impossible<\/p>\n

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Nu f\u00e9minin 1<\/p>\n

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Nu f\u00e9minin 2<\/p>\n

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Nu f\u00e9minin 3<\/p>\n

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Femmes aux champs<\/p>\n

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R\u00e9servoir 1\/6<\/p>\n

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Sans Titre (D)<\/p>\n

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Sans Titre (E)<\/p>\n

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Sans Titre (F)<\/p>\n

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Sans Titre (G)<\/p>\n

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ARTISTES REPRESENTES   David Ciana plasticien vit et travaille \u00e0 Monthey Se Situer dans le Myst\u00e8rePour David Ciana, la pratique artistique est une boussole, une m\u00e9thode pour s’orienter dans la complexit\u00e9 du r\u00e9el. Loin d’\u00eatre une simple recherche esth\u00e9tique, sa peinture agit comme un sismographe sensible, captant les vibrations int\u00e9rieures et les flux d\u2019\u00e9nergie pour […]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-297","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/artdcc.com\/index.php?rest_route=\/wp\/v2\/pages\/297","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/artdcc.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/artdcc.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/artdcc.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/artdcc.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=297"}],"version-history":[{"count":29,"href":"https:\/\/artdcc.com\/index.php?rest_route=\/wp\/v2\/pages\/297\/revisions"}],"predecessor-version":[{"id":1068,"href":"https:\/\/artdcc.com\/index.php?rest_route=\/wp\/v2\/pages\/297\/revisions\/1068"}],"wp:attachment":[{"href":"https:\/\/artdcc.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=297"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}